| 2022 |
Steel and Water Intersection Gallery, Burnie |
| 2021 |
Minna Road, Colville Gallery, Hobart |
| 2015 |
Toxic Beauty, Burnie Regional Gallery |
| 2011 |
Blue Shadows, Carnegie Gallery |
| 2009 |
Under The Ample Sun, Burnie Regional Gallery |
| 2003 |
Sweet Rain, Despard Gallery, Hobart Spanish Garden, Despard, 2006
|
| 2002 |
Exotic Scent, School Of Visual And Performing Arts, Inveresk, Launceston
Blackwater, Despard Gallery, Hobart |
| 2001 |
Exotic Scent, Burnie Regional Gallery
|
| 1997 |
Installation/Paintings, C.A.S.T Gallery, Hobart
|
| 1995 |
Drawings, Serpentine Gallery, Burnie
Collage, Artspace, Burnie |
| 1994 |
Maps Of The Lucid World, Artspace, Burnie |
| 1991 |
Paintings , Chameleon, Hobart |
| 1989 |
Fragments, Joyces Gallery, Burnie
Paintings, Cockatoo Gallery, Launceston |
| 1988 |
Recent Drawings, Upstairs Gallery, Hobart
|
|
| 2021 |
Bay of Fires |
| 2020 |
Object_image, Poimena Gallery, MONA FOMA, curated by Paul Snell |
| 2015 |
Stand Back, Moonah Arts Centre, curated by Josie Hurst and Sean Kelly
Paint. Poimena Gallery, curated by Paul Snell
ABSTRACTION, Despard Gallery
100 Years, Burnie Regional Gallery (works from the collection)
|
| 2010 |
Recent acquisition, Burnie Regional Gallery
In partnership Academy Gallery and Devonport Regional Gallery, curated by
Jane Deeth THINGS WE DENOTE TO KEEP, Sawtooth, 2011 |
| 2006 |
Register, Tasmanian Artists, TMAG, Hobart, curated by Craig Judd and Michael
Edwards; |
| 2005 |
The Source, Scotch Oakburn, curated by Catherine Wolfhagen
contemporary Tasmanian painting, Queen Victoria Museum and Art Gallery at
Inveresk, curated by Bridget Arkless
Two’s Company, curated by Belinda Wright, Burnie Regional Gallery |
| 2004 |
Burnie Regional Gallery |
| 2003 |
Despard at Mary Place Gallery, Paddington, NSW |
| 2002 |
Selected paintings, arts@twork, Hobart
Pattern As Subject, Cast Gallery, hobart, curated by Sean Kelly and Paul Vella
Baroque, Despard Gallery |
| 2001 |
Works On Paper, Creative Paper Mill, Burnie, curated by Helen White |
| 1999 |
Seeing And Remembering, Poimena Gallery, Launceston, curated by Robert
Ikon
Distance, Sherman Hargrave, Sydney, curated by Catherine Wolfhagen
Aberrant Visions, Gallery A., University Of Tasmania, Launceston campus |
| 1998 |
Upbeat, Dick Bett Gallery
G4, University Of Tasmania, Burnie Centre, curated by Cath Miller
New Paintings, Long Gallery Hobart |
| 1996 |
The New C.A.S.T Show, curated by David Ohalloran
Pulp, Burnie Regional Gallery curated by Michael Edwards |
| 1994 |
Sight and Symbol, University Gallery, Launceston; Devonport Regional Gallery,
Long Gallery, Hobart, curated by Victoria Hammond |
| 1992 |
Tiger Show, Chameleon, Long Gallery, Hobart
The Summer Show, Arthouse, Launceston |
| 1991 |
The October Show, Queen Victoria Museum, curated by Bridget Sullivan |
| 1990 |
The Big Men Fly, Dick Bett Gallery, Hobart
Genius Loci, Centre For The Arts, Plimsoll Gallery, curated by Nick Waterlow |
| 1989 |
Nicht, Nacht, Noir, Chameleon Gallery, curated by Jim Logan |
| 1988 |
Double Vision: collaboration with Michele Round, Cockatoo Gallery,
Launceston |
| 1987 |
Bass Strait, Crohill Gallery, Launceston |
| 1986 |
View from the Coast, Burnie Art Gallery |
|
